SHRINE OF THE TIMES
SPELUNKING INTO THE WORLD OF SLOPPY JANE
LOS ANGELES Born in NYC in 1995 and raised in Los Angeles, Haley Dahl started the first iteration of Sloppy Jane in 2009 at the young age of 15. Their first demo albums Totally Limbless, shortly followed by Burger Radio were not released until 2014, in January and May respectively. Both were self-released; Burger Radio was a UCLA college radio recording that is no longer available to buy or stream anywhere.
The Sloppy Jane of the early 2010s looks and sounds very different from the Sloppy Jane of nearly a decade later. It is Dahl's great "Ship of Theseus" project. She has remained the consistent spearhead of the band, which has gone through countless iterations of members, aesthetics, and genres, metamorphising from a screaming teenage riot-grrl post-punk band with pyrotechnics and nudity to an operatic, baroque art-rock cave orchestra with themed nights and recommended dress codes like "black tie casual" for concert attendees.
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class labeled appropriate for all sub-headlines, experts say
Readers and journalists alike are all aflutter over shocking new claims regarding a lesser-used level of title depth. A less important headline may vary in size, but only use the third depth of heading unless it is truly subordinate, to remain consistent with semantic heading law.
Meanwhile, some users of blockquotes have expressed frustration at being asked to use arbitrary custom entities to recreate the basic qualities of their element.
"They pulled out my text and used it for emphasis," said one user, who has asked to remain anonymous. "And they can't even give me a simple built in solution for it! Just make it one element, or don't do it at all, that's what I say." Another expressed concerns about about the inconsistency of the internal schema: "Most of these stylesheets, they use divs and spans with the names to tell it what to do—why the sudden change? It just seems weird, you know? It's unprofessional. They can't even make the blockquote look right when it's in certain spots on the page either."
"We had to add an entire paragraph just to make this page look right," admits senior editor Notegg R. Amen, shaking their head. "It's ridiculous. Can't we expect better after all these years? We only implemented clearfix last month, and half the blueprints still use minimum height requirements as a kludge anyway."
"This is a block quote"
Cascading style sheets architect Eggy Ramen declined to comment on the matter, saying, "Translating a static layout to a resizable webpage is difficult work" and "I make what I make."
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THE HIDDEN FILES
A recent interest in lost media has led me to deeper corners of the Internet than I had ever sought out before. After months of digging and hitting dead-ends, I managed to acquire the buried mp3 files for Burger Radio, which was a massive breakthrough in my Sloppy Jane academic career. But I knew there must be still more out there.
In my obsessive feats of investigative journalism, though the existence of surviving recordings for most of the songs still elude me, I uncovered the existence of several unheard-of and unreleased albums:
- Sneak Preview (2012)
- Sucks (2013)
- Live @ The Guitar Merchant (2013)
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